Tripod rescue: a true story

I knew something was up when J approached me with some fish on a stick. It was tinned mackerel on what appeared to be a fencing slat. “It’s under number 3’s shed.”

There was no doubt as to the identity of the it in question. About half an hour earlier, a neighbour had asked to have a look around our garden. About a fortnight before that he’d come to ask if we’d seen his cat – a cat with only three legs.

I’d wondered what had become of Tripod, as my inner monologue had taken to calling the cat, in the intervening period. I hoped that, had it met its end, it was a merciful one, rather than, say, being scared out of its wits by our pair of whippets and bolting under a hedge into the maw of a passing plough .

But it turns out he, for he he was, had set up camp under next door’s shed. The neighbour had been leaving food out for it, and it was being eaten. And he knew it was eaten by the cat and not rats or the village peacock because he’d come over all Chris Packham and set up some motion cameras in his garden to prove it.

Judging by the sound it made under the shed, Tripod was terrified. Who knows what trauma caused the loss of limb, but one had to feel for him, seeking retirement in these quiet, pastoral lands only to be housed with three small children, almost certainly rather too keen for feline entertainment. No wonder he’d escaped.

J enlisted my help to man one corner of the shed, should Tripod bolt for it. Between them, and in defiance of all conventional mathematics, J and Tripod’s owner somehow watched the other three. Partly by tempting Tripod out with the fishy stick, partly by encouraging him out with a pole and partly by stamping on the shed floor, we managed to sufficiently scare the shit out of Tripod to the point at which he did indeed make a run for it – it being absolutely anywhere else.

At this point, two things surprised me. One was the speed with which three-legged cats can move. I don’t know if Tripod is representative of all three-legged cats, but he moved fucking fast. I can only conclude either that three-legged cats are faster than four-legged cats, or cats that live with a 1:1 ratio of their own legs to cohabiting children are forced to be rather fleeter than others.

The other thing that surprised was that, while in exile, Tripod had clearly gained a detailed knowledge of the fences and hedges all along our row, and knew exactly where to gain ingress to the next garden. Mind you, the neighbour was just as spry. Every time I turned around he seemed to be in a different garden. I assume he was vaulting fences, but the evidence equally suggests that he was apparating. (He does own a cat, and all that.)

Clearly I had underestimated Tripod, so I slunk inside to mentally regroup. By this point he was three gardens along and his owner was lying unceremoniously under a tall coniferous hedge trying to retrieve him. By this point other neighbours had gathered. J came to retrieve me, took me to said garden and told me where to stand – blocking Tripod’s potential exit from the garden via the gate behind me. I felt a bit like I imagine Alec Stewart felt keeping wicket for England.

Success! Our neighbour had caught hold of Tripod, and was hugging him close to his chest. This was in spite of a flurry of dubious advice from another neighbour in the build-up, like “you’re going to have to be brutal with it.” The only problem now was that he was completely stuck, so low was the hedge he was under and so deep was the extent of his penetration.

J and I were forced to pull him out by his legs which was awkward because we were wedged in by a shed and lacked the necessary room to do this effectively. And it was awkward because we barely knew him.

When we pulled him out he looked like he’d been pulled through a hedge backwards, mainly because he’d been pulled through a hedge backwards. At this point he thanked us and took Tripod home, presumably to be locked in the cat dungeon he’s had two weeks to construct. (He seems quite handy.)

We offered the neighbour the rest of the tin of mackerel. Actually, we were offering it to Tripod, but we used the neighbour as an interpreter.

“Just pop it on his box,” the neighbour said. So we did. And that, friends, is the story of how we, in a very small way, helped in the rescue of a three-legged cat by pulling a man out of a hedge.

How to lose 6,000 Twitter followers

By any meaningful modern measure of success, losing 6,000 Twitter followers is a bit of a fuck up. Or at least it would seem to be. In my case it was losing 1,000 that was the fuck up. The other 5,000 was one of the best things I’ve ever done. Yes, there’s some hyperbole there, but it was definitely a good thing. What on Earth am I talking about? To answer that we need to journey back to the halcyon, sun-kissed days of 2006.

As fate had it, I was taking a break from the internet when Twitter launched. I’d just moved flat, and I had no connection. And to be honest, I was in no hurry to get one. I was, still being honest, enjoying not having the internet. I didn’t have a mobile phone for a bit then either. Genuinely, it was bliss. But you have to have the internet, don’t you? And so I sorted that out after a month or two. And when I did, suddenly everyone I knew was on Twitter.

By everyone I knew, I mean everyone I knew on the internet. Back then, most people I knew online were very internetty, and very likely to be an early adopter of internet stuff. In fact for a while there, it felt like that was something of a gang of usual suspects that would descend upon whatever the latest web 2.0 thing was to land – if it passed muster, that is. Which probably meant that one of the gang knew, or at least knew of, had worked on the thing. I’d still recognise about two-dozen usernames, I reckon.

I missed the Twitter party. Not in the grand scheme, you understand, but so far as the gang was concerned. In the grand scheme I was an extremely early adopter. But, outside of the grand scheme, if indeed that’s a thing, I was late. But it didn’t seem to matter. I don’t know why I mentioned it. Anyway, being rather on the fringes of the gang I probably kicked around with a few dozen followers for a few years. Maybe it got up to a few hundred. I don’t remember.

But Twitter changed for me in 2011. I’d become a journalist and I was writing for Ars, and when you write for Ars you get a steady tick-tock of new followers. Then I got a few jobs in the tech industry that I suppose raised my profile a little bit, and I got some growth merely from following colleagues and them following me back. I worked with a lot of different people during 2013 – and since.

At over 1,000 followers I think I panicked a bit. Why were people following me? I had my original followers of borderline actual friends who, bless them, probably didn’t care what I tweeted, but I thought I probably owed silly jokes. I had the journalism followers who, at that time, might have seen me as a science and environment writer. I had my corporate colleagues who I guess knew me more for plain English and bullshit-free communication.

I didn’t know (and I still don’t) how to tweet in the same language of your leading lights in the sphere of digital business. It’s not that I don’t have shareable thoughts on those issues. It’s that they’re brilliant, inspiring people. But I, very definitely, am not. Thing is, some notable exceptions aside, they never seem to crack a joke. And I simply can’t understand that. I don’t care if the jokes are good or bad, but for heaven’s sake, let your guard down once in a while. Of course, I tended to go too far the other way. I’d tweet quite openly about whatever shit was running through my head, was not above dropping the c-bomb here and there. It added to this sense of dissonance – not knowing what the hell Twitter was any more.

Simultaneously, life decided to get a bit shit for a few years. Or, at least as likely, I subconsciously decided to make it shit for a few years. So I made the decision to bin off that confusing mess of a Twitter account. Because I had another one with 5,000 followers, and this was going to be the answer to all my I’m-centre-of-the-universe Twitter problems that existed only in my increasingly ill mind. (Warning: possible mental health-oriented posts to come.)

See, around 2007 there was this very minor phenomenon of parody Twitter accounts – Twitter accounts purporting to belong to celebrities or fictional characters. A subset of the latter category was Star Wars parody accounts. Except they weren’t parodying Star Wars. Or even having fun with Star Wars. They were taking it all just a bit too seriously for my liking. So I signed up for one, and wouldn’t you know, @stormtrooper was available.

So all the while I was tweeting under my real name, I was also tweeting stupid Star Wars jokes under @stormtrooper. At this point, remind me to write a blog post on the extent to which I’m not obsessed with Star Wars. Because I’m really not. You just wouldn’t know it from this blog so far. Sorry about that. There’s plenty of non-Star Wars stuff coming, I promise.

And the follows rolled in because my jokes were so fantastic and I was so brilliant. Except it wasn’t because of those things, because I wasn’t those things. The follows rolled in because my account was @stormtrooper. And the reason I know that is because, if I signed in to the account after 8 months off telling shit Star Wars jokes; I’d have an extra thousand followers regardless.

At this point you can probably anticipate the stupid mistake I made. I binned off my proper Twitter account and changed my @stormtrooper account to my personal account. And in doing so I dumped 1,000 followers who were, to whatever tiny degree, interested in me, in favour of 5,000 people who didn’t know me from Admiral Ackbar, and who didn’t give a shit about my non-Star Wars dumb jokes, my thoughts on plain English or anything else I had to say.

Of course I followed my internet friends with that account and, bless them again, they followed me back. But other than that I haemorrhaged followers. We’re talking dozens a week. And of the thousands I still had, I think almost all were either spam or abandoned accounts.

To add insult to injury, I’m convinced that the increasingly arcane workings of Twitter were putting some hoodoo on me. Years after it had ceased to be a Star Wars-related Twitter account, Twitter was still recommending spectacularly unfunny Star Wars parody accounts to me to follow. And, paranoid as it may be, I’m fairly convinced many of my tweets were disappearing into the ether.

So, having lost some 1,500 followers, I binned that account off too, which I think, on balance was a good decision. After some useful months away I’m back on Twitter. I know what I want from it now. I know who to follow, and who not to follow to avoid the rubbish I don’t want to see. It’s ironic that, over the last six or seven years I’ve advised companies and organisations on how to use Twitter, and even done it for them from time to time. I like to think I’ve done it quite well. This despite making such a colossal bag of cocks of my own Twitter.

In my defence, I struggle to remember a time that I really took Twitter seriously. I think it was always at it’s best when it was whimsical. I’m quite happy with silly jokes, swears, and miss people tweeting about what they’re having for lunch. It used to be derided as puerile because of that sort of thing. But compared to the toxic mess it has become, those were lovely little specks of gold.

At the time of writing I have 13 followers on Twitter. And I can honestly say they are worth an infinite amount more than the 5,000 I thought I had before. I never really did.

Monthly writing round-up

Rather than spam the blog with stuff I’ve written elsewhere, I thought at the end of the month I’d post a little round-up of some of the highlights (and trust me, I use the term with all due hesitation).

In truth, I feel like right now is something of a reboot of my writing career. Though New Atlas have been good enough to allow me to chip away at contributions over my months and years in the corporate wilderness world, writing for them again in earnest has been lovely.

I’m a different writer now, and I have some figuring out to do. I was never that interested in gadgets, if I’m honest, but a more world-weary me now has to try harder to find subjects that I want to write about. I used to pride myself in being interested in everything, and though I think that’s true in terms of subject matter, I need a hook into any particular story. That’s probably a good thing.

I’ve heard some good news with a pitch beyond New Atlas. I’ve always been lazy at pitching, but starting more or less from square one I can’t afford to be at the moment. I need to build up my clips again. It’s great that I’ve written for Ars or Smithsonian Magazine, but that was a long time ago now. Time to knuckle down while not burning myself out to the point of not wanting to write creatively – if I don’t get into that habit now, I never will.

Anyway, rambling. Here’s some of the stuff I wrote for New Atlas in November:

  • On a point of pedantry, yesterday I wrote a thing about why Tim Berners-Lee didn’t invent the internet. Spoiler: the internet had already been invented. He invented the web. Lurches into the history of technology which it now occurs to me I have a degree in and should probably write more about.
  • I also got a bit annoyed with some of the coverage on a story on the potential of whales to fight climate change. The IMF reckon a great whale is worth about a thousand trees in terms of carbon storage, so obviously a number of outlets took that to mean that we should give up on trees and forests. So I wrote a thing calling that out a little a bit.
  • I was quite pleased with a piece I wrote on old Aztec farming tradition that one researcher thinks could help feed highly populated cities – provided there’s a nearby lake, that is. Now that I think of it, technology history-meets-futurism sounds more interesting than just technology history as a furrow to plough. Thinking face.
  • Finally, I shall say nothing about the curious case of the house with no knocker, because that’s the sort of piece it is. It did ****-all business, but I don’t care. More of this sort of thing – as much as I can get away with, anyway.

If you made it this far, thank you. Have a joke on me. Don’t be too hopeful. I’m making this up on the spot. Like, now. Why did the Jedi call the police? Because he liked to use the force. Goodo!

On criticism

Digitiser just posted a piece on the pointlessness of criticism. As usual, I agree with basically everything Paul says, but in this case disagree with the overall thrust. And, as it’s a subject close to my spleen, I got involved in the comments. Let me put it here for posterity.

The Guardian ran a 1-star review of Jack Whitehall‘s standup gig at the O2. I happened to see a tweet from Henning Wehn, which said “If an act manages to hold the attention of such a large crowd it simply can’t be a one star show. You might not enjoy it but it simply can’t be a one-star show.” I disagree.

I’d go so far as to say that if reviews are pointless, then so are the books, films and video games being reviewed. I say this because I think criticism is, first and foremost, entertainment. Yes yes, hats off to the actual creators – let us revere them etc, but it is right that their works are discussed, and if that’s sometimes in a negative light, that’s a sign that our society, or at least one aspect of it, is healthy.

Consider the alternatives: a world in which films and TV programmes come out and nobody talks about them, or one in which people only have good things to say about them. I’d rather, quite literally, be dead then live in either of those utopian intellectual wastelands.

Like everyone else I’ve learned the hard way my tastes don’t coincide with any one critic or the critical consensus, or even the consumer consensus. There are too many top-rated games I find boring and many middling ones I’ve greatly enjoyed. But that doesn’t render criticism pointless. It merely puts it in perspective.

Surely I’m not alone in starting out reading a review hoping that the critic really really hates the thing in question? Genuinely, that is. It would be a step too far to pretend to hate it to generate some entertaining copy – but it’s that entertaining copy I’m hoping for.

C.f. some of Peter Bradshaw’s 1-star film reviews for the Guardian.

Roll with it

While I figure out how to add a linkroll to a sidebar in the newer, simpler back end, I was very pleased to see Flip Flop Flyin’s colourful, minimal, often-pixelly art happenings are still, er, happening. Much inspiration there. What would a FFF for words look like, I wonder?

Crawl space

Here’s the Phantom Menace’s opening crawl. If you’re not familiar with that term, it’s the words that scroll up the screen at the beginning of the film to tee up the plot:

Turmoil has engulfed the Galactic Republic. The taxation of trade routes to outlying star systems is in dispute.

Hoping to resolve the matter with a blockade of deadly battleships, the greedy Trade Federation has stopped all shipping to the small planet of Naboo.

While the congress of the Republic endlessly debates this alarming chain of events, the Supreme Chancellor has secretly dispatched two Jedi Knights, the guardians of peace and justice in the galaxy, to settle the conflict….

It’s not easy to un-Trade Federation that, but I’ll give it a go. It also needs a re-jig for visual balance. You want three roughly equal-length paragraphs, I’d have thought.

Here’s a rough first stab at a Shadows of the Force rewrite (complete with deliberately-incorrect four-point ellipsis), hastily tapped out before I need to pick up LT from school:

These are dangerous times for the Republic. Sinister forces, wielding the power of the dark side, conspire to end centuries of peace and prosperity.

In the outer rim, deadly battleships have entered orbit around the beautiful planet of Naboo. Their official mission is diplomacy; their true purpose is war.

Working in secret, the Jedi Council and leaders of the Senate have dispatched Jedi Knight Obi-Wan Kenobi to maintain peace and justice in the galaxy….

There. It’s far from perfect and I’m sure I’ll tinker with it some more as and when I dive into the script. It deliberately foreshadows opening crawls of “later” episodes, which I think is fine.

It punts out some plot specifics (which will need to change anyway) in favour of just generally setting the mood, which I think should be “erk, here comes the dark side”. I think it partly. achieves that. Oh, and it namechecks Obi-Wan (with a promotion to Jedi Knight) so you know a beloved character will be in the thick of the action from the get-go. I may bin off Qui-Gon entirely – we’ll see.

And that’s it for now, really. Er. Goodbye!